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Craven House

Patrick Hamilton

'All his novels are terrific' Sarah Waters

Patrick Hamilton's novels were the inspiration for Matthew Bourne's new dance theatre production, The Midnight Bell.

In Craven House, among the shifting, uncertain world of the English boarding house, with its sad population of the shabby genteel on the way down - and the eternal optimists who would never get up or on - the young Patrick Hamilton, with loving, horrified fascination, first mapped out the territory that he would make, uniquely, his own.

Although many of Hamilton's lifelong interests are here, they are handled with a youthful brio and optimism conspicuously absent from his later work. The inmates of Craven House have their foibles, but most are indulgently treated by an author whose world view has yet to harden from scepticism into cynicism.

The generational conflicts of Hamilton's own youth thread throughout the narrative, with hair bobbing and dancing as the battle lines. That perennial of the 1920s bourgeoisie, the 'servant problem', is never far from the surface, and tensions crescendo gradually to a resolution one climactic dinnertime.

  • Classification : General & Literary Fiction
  • Pub Date : JUL 27, 2017
  • Imprint : Orbit
  • Page Extent : 416
  • Binding : PB
  • ISBN : 9780349141510
  • Price : INR 950
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Patrick Hamilton

Patrick Hamilton was born Anthony Walter Patrick Hamilton in the Sussex village of Hassocks, near Brighton, to writer parents.

After a brief career as an actor, he became a novelist in his early twenties with the publication of Monday Morning (1925), written when he was nineteen. Craven House (1926) and Twopence Coloured (1928) followed, but his first real success was the play Rope (1929, known as Rope's End in America).

The Midnight Bell (1929) is based upon Hamilton's falling in love with a prostitute, and was later published along with The Siege of Pleasure (1932) and The Plains of Cement (1934) as the semi-autobiographical trilogy 20,000 Streets Under the Sky (1935).

His two most successful plays, Rope and Gas Light (1938, known as Angel Street in the USA), made Hamilton wealthy and were also successful as films: the British-made Gaslight (1940) and the 1944 American remake, and Alfred Hitchcock's Rope (1948).

Hangover Square (1941) is often judged his most accomplished work. During his later life, Hamilton developed in his writing a misanthropic authorial voice which became more disillusioned, cynical and bleak as time passed.

Hamilton had begun to consume alcohol excessively while still a relatively young man. After a declining career and melancholia, he died in 1962 of cirrhosis of the liver and kidney failure, in Sheringham, Norfolk.

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