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Impromptu in Moribundia

Patrick Hamilton

'I recommend Hamilton at every opportunity because he was such a wonderful writer and yet is rather under-read today. All his novels are terrific' Sarah Waters

'If you were looking to fly from Dickens to Martin Amis with just one overnight stop then Hamilton is your man' Nick Hornby


Patrick Hamilton's novels were the inspiration for Matthew Bourne's new dance theatre production The Midnight Bell.

Impromptu in Moribundia is a satirical fable about one (nameless) man's trespass (through a fantastical machine called the 'Asteradio') into a parallel universe on a far-off planet where the 'miserably dull affairs of England' are mirrored and transformed into an apparent idyll of bourgeois English imagination.

Moribundia is the 'physical enactment of the stereotypes and myths of English middle-class culture and consciousness.' Yet the narrator comes to discover that he has stumbled among a people characterised by 'cupidity ignorance complacence meanness ugliness short-sightedness cowardice credulity hysteria and when the occasion called for it . . . cruelty and blood-thirstiness.

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  • Classification : Others
  • Pub Date : DEC 6, 2018
  • Imprint : Abacus
  • Page Extent : 208
  • Binding : PB
  • ISBN : 9780349141626
  • Price : INR 725
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Patrick Hamilton

Patrick Hamilton was born Anthony Walter Patrick Hamilton in the Sussex village of Hassocks, near Brighton, to writer parents.

After a brief career as an actor, he became a novelist in his early twenties with the publication of Monday Morning (1925), written when he was nineteen. Craven House (1926) and Twopence Coloured (1928) followed, but his first real success was the play Rope (1929, known as Rope's End in America).

The Midnight Bell (1929) is based upon Hamilton's falling in love with a prostitute, and was later published along with The Siege of Pleasure (1932) and The Plains of Cement (1934) as the semi-autobiographical trilogy 20,000 Streets Under the Sky (1935).

His two most successful plays, Rope and Gas Light (1938, known as Angel Street in the USA), made Hamilton wealthy and were also successful as films: the British-made Gaslight (1940) and the 1944 American remake, and Alfred Hitchcock's Rope (1948).

Hangover Square (1941) is often judged his most accomplished work. During his later life, Hamilton developed in his writing a misanthropic authorial voice which became more disillusioned, cynical and bleak as time passed.

Hamilton had begun to consume alcohol excessively while still a relatively young man. After a declining career and melancholia, he died in 1962 of cirrhosis of the liver and kidney failure, in Sheringham, Norfolk.

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